哈佛大学法学院教授，哈佛大学伯克曼“互联网与社会”中心主任。美国马萨诸塞州安赫斯特大学学士（美国研究）、哈佛大学J.D.和美国文明史Ph. D.，斯坦福大学行为科学高级研究中心博士后。1982-1984任美国哥伦比亚特区上诉法院法官哈里·T.爱德华兹（Judge Harry T.Edwards）和美国联邦最高法院大法官瑟古德·马歇尔（Justice Thurgood Marshall）的法律助手。自1984年起任教于哈佛大学法学院，专长于知识产权和美国法律史。其研究领域涉及美国法律史、知识产权法、财产法以及网络法。近年来集中致力于网络法，特别是数字音乐的法律问题的研究。著有《数字音乐：问题及可能性》（Digital Music: Problems and Possibilities）、《网络法》（Internet Law，与莱斯格等合作）和《说话算数...(展开全部)

RA: 无限的东西不能是许多个，因为许多(many-ness)是一个有限的概念。要有无限，你必须辨识或定义无限为合一(Unity)；否则这个词汇就没有任何意义。在一个无限的造物者之中只有合一的存在。你们都看过合一的简单例子，一个三棱镜(prism)展现所有颜色来自于阳光这是关于合一的简化示范。 事实上，没有对或错，也没有极性，你们舞动着穿越心身灵复合体(complex)，你们此刻以不同的变貌娱乐自己，但一切终会在某个时点达成和谐。 这些变貌在任何情况下都不是必须的，而是由你们每一位所选择，做为另一种理解包罗万有的完整合一的方式。现在不是说一个类似或有点像的东西，你是一切事物，每一个存有，每一个表情，每一个事件，每一种情境，你是合一，你是无限。你是爱/光，光/爱。你是你本是。这就是一的法则。

塞巴斯蒂安·马拉比 美国外交关系委员会保罗·沃尔克国际经济高阶研究员，曾任《金融时报》编辑并两度入围新闻领域的“奥斯卡”普利策奖。其著作包括《格林斯潘传》（The Man Who Knew）、《富可敌国》（More Money Than God）等。

During the past fifteen years, changes in technology have generated an extraordinary array of new ways in which music and movies can be produced and distributed. Both the creators and the consumers of entertainment products stand to benefit enormously from the new systems. Sadly, we have failed thus far to avail ourselves of these opportunities. Instead, much energy has been de...(展开全部)

In "The Future of the Image", Jacques Ranciere develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. Covering a range of art movements, and thinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard and Greenberg, Ranciere argues that contemporary theorists of the image are suffering from ...(展开全部)

A leading philosopher presents a radical manifesto for the future of art and film. In The Future of the Image, Jacques Ranci&232;re develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. Covering a range of art movements, and thinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard and G...(展开全部)

Written in Soviet Moscow in the 1920s—but considered too subversive even to show to a publisher—the seven tales included here attest to Sigizmund Krzhizhanovsky’s boundless imagination, black humor, and breathtaking irony: a man loses his way in the vast black waste of his own small room; the Eiffel Tower runs amok; a kind soul dreams of selling “everything you need for suicide...(展开全部)

We live in a world saturated by future-consciousness. Our lives are constructed around expectations of the future as full and as flawed as our understandings of the past. This volume is a conceptual tool kit for thinking about the hopes and anxieties embodied in ideas of the future. Exploring links between panic and nostalgia, waiting and utopia, technology and messianism, and ...(展开全部)

The eminent Harvard naturalist and Pulitzer Prize winner Edward Wilson marshals all the prodigious powers of his intellect and imagination in this impassioned call to ensure the future of life. Opening with an imagined conversation with Henry David Thoreau at Walden Pond, he writes that he has come "to explain to you, and in reality to others and not least to myself, what has h...(展开全部)

Our world is far richer than previously conceived, yet so ravaged by human activity that half its species could be gone by the end of the 21st century. These two contrasting themes - unexpected magnificence and underestimated peril - have originated since the 1980s. In this book, scientist E.O. Wilson describes exactly what treasures of the natural world we are about to lose fo...(展开全部)